Showing posts with label hurricane katrina. Show all posts
Showing posts with label hurricane katrina. Show all posts

Tuesday, February 15, 2022

The Hurricane Lover: Backstory of a stormy soul project

As a ghostwriter, it's important for me to carve out time for soul projects: books that I can't not write. The Hurricane Lover is one of those. Eleven years after its original publication, I'm thrilled to bring it out of the vault with this fabulous new cover by Kapo Ng. 

I was storm-obsessed long before the epic hurricane season of 2005. I was born in the American Midwest, where summer storms brought green skies and the smell of tornados. For one wonderful year, my family lived in a rundown townhome on the beach in Florida. During the offseason, the Gulf of Mexico turned steely, wind whipped up blades of white sand, and skies blackened over the glorious chaos. Wrapped in a blanket on the balcony outside the room I shared with my three sisters, I hugged my knees and counted the seconds between thunder and lightning. 

In 2005, my husband Gary and I were living in Houston, Texas, not far from the upscale area where Bob and Char Hoovestahl live in the book. New Orleans was an easy daytrip for music and great food, and it was a convenient stop just on the way to my sister’s house in Lake Mary, Florida. I was familiar with the small towns, swamps, and fruit markets off the I-10 exits. In the early morning hours of August 29, I worried for the people living close to the shore. I admit, I was among those who blew off warnings about the mass destruction of New Orleans. I didn’t think about that. It was unthinkable. 


Story vampire that I am, I watched the catastrophe evolve thinking I might have to find a way to use it in a book someday. I’d never written anything in the thriller genre, but I’d thought about it. One of my critique mates, Colleen Thompson, is a master of romantic suspense. I learned a lot about procedural structure from her standalone thrillers, The Salt Maiden and Fatal Error, specifically the core craft values of atmosphere, plot-driven character arcs, and blow-by-blow action scenes. I was ready to try my hand, just waiting for the right story to hit me.


In the wake of the storm, Gary and I volunteered with Operation Compassion, an interfaith effort to receive, assist, feed, and house hundreds of thousands of storm survivors who flooded into Houston. Downtown at Reliant Center, I cleaned bathrooms, served food, and hauled ice and beverages up and down the long lines of people deboarding buses and waiting for hours in the oppressive heat to fill out FEMA paperwork. It was a privilege to meet people in this extraordinary moment. The air was thick with humidity and stories, and I felt myself doing what a robin does when it’s building a nest—gathering a thread here and a twig there, weaving it into a place where I might create something. When I heard a weary New Orleans police officer comment, “This is great for media people and con artists,” the story hammer dropped. 


I went home sunburned crawfish red and exhausted to the bone, but the characters had come for me. Corbin, Shay, and Queen Mab grabbed my hands and dragged me into the swampy mist. I sat up writing until dawn, napped for a few hours, and then went back to Reliant Center to keep doing whatever I could do to help. The skeleton of the story quickly took shape in my head, but I didn’t have time to do more than sketch out a few scenes. Just four weeks after Hurricane Katrina, Hurricane Rita screamed into the Gulf, headed straight for Houston, and I realized a much larger story was yet to unfold. 

Gary and I sheltered in place, following zoned recommendations, and we watched in horror as almost everyone else in our neighborhood panicked and bugged out. The hurricane veered off and lost a lot of spin before it landed, but the Houston metroplex was engulfed in a 200-mile-wide traffic jam—fact far crazier than any fiction I could have conjured—so, of course, that became a plot point that rewrote the ending I had planned. We experienced the remnants of Rita as a violent summer storm and sat without power for a few days. I recharged my laptop in my car and kept writing. 


That winter, I was hip deep in a celebrity ghostwriting project, and the following year, my third novel went into the pipeline at HarperCollins, so I couldn’t give The Hurricane Lover the undivided attention it takes to finish a novel, but this turned out to be a good thing. I hadn’t yet wrapped my head around the true extent of the research that would be needed to give this book the depth I wanted it to have. I didn’t even think about the documents that might later be released via the Freedom of Information Act, not the least of which turned out to be a thousand pages of email sent and received by Michael Brown in the days immediately before and after Hurricane Katrina.


For two years, while I wrote and published three other books, I continued gathering threads and twigs. I interviewed meteorologists, homicide detectives, an internist, an arborist, an architectural historian, plumbers, contractors, and many storm survivors from various walks of life. I watched with keen interest as New Orleans dragged herself out of the mud. I pored over thousands of weather bulletins, storm forecasts, government documents, and police reports and waded through a dense swamp of FEMA email and media releases. 


The research was heartbreaking. Infuriating. 


So much suffering could have been prevented, and so little had been learned from it in the years since. The blue vs red ideological divide had cost thousands of lives. Rather than embrace unity and common sense, people trenched down into whichever we the people they identified with, and in the South, that boundary was starkly color coded. The story became more layered. I relished the idea of a book club uncorking a bottle of wine and taking on these issues, gloves off.


The book was still missing one pivotal character: the storm. I tried again and again to draft the passages in which Shay and Corbin make their way through the eyewall. It just felt like a lot of words describing what I thought it might be like. What did it smell like? What was the strata of sound beneath the screaming wind? How does a hurricane feel on your skin? I needed to know. In September 2008, I had the opportunity to find out.


Hurricane Ike fulfilled all the dire predictions made before Hurricane Rita (lacking the one dire prediction that mattered.) When the call for evacuation came out, Gary and I made the decision to shelter in place. Gary, still an airline mechanic at the time, knew he’d be needed at the airport immediately after the storm, and we feared our elderly dogs wouldn’t do well away from home. 


As Bonnie and Corbin do in the book, we filled the garage freezer with gallon jugs of water and stocked the pantry with batteries, protein bars, and other storm supplies. The eye of the hurricane made landfall in Galveston as a Cat 2 and moved inland along the east side of Houston. I watched CNN until the power went out, and then I sat in the garage on an Adirondack chair tucked in the back corner between my car and the chest freezer. Clutching a Maglite, I listened to the car radio and snacked on Sun Chips and homemade vegetable juice. 


Beyond the open garage door, there was utter darkness cut by frequent lightning. I waited until the storm escalated to what I thought might be the eyewall. Then I strapped my son’s bike helmet on my head and went out into the street. My plan was to walk through the park across the street, but the towering pine trees that surrounded the playground were casting off branches and cones. In the strobe effect of the lightning, I could see that the air above the playground was filled with projectiles. Best to stay in the street, I decided. Walk around the block and call it good.


I pushed to the end of the driveway and sloshed through ankle-deep water gushing up from the gutter drains. I tried to turn my face away from the scouring rain, but it seemed to be coming from every direction. Bits of bark and God knows what drummed on the bike helmet. I felt weightless and weak, gasping for breath, pushing one step at a time against the force of the wind. Two or three houses down, I accepted the fact that this whole idea was incredibly stupid, and I turned back, fighting to keep my balance. The half block back to my house felt like a mile. 


A few yards from the end of my driveway, I heard what sounded like the crack of a rifle. A large limb from a tall pecan tree smashed to the ground, and then another limb, and another until the whole tree gave in, like an umbrella closing. A towering oak that loomed over our front yard moaned and flailed. This tree brayed like a wounded animal, its wide trunk bending to an extent I wouldn’t have believed possible. I scurried back to my Adirondack chair and sat, shivering and giddy, trying to find words for what I’d experienced. 


The storm was everything I had imagined: razorblade rain, pelting debris, body slam wind, galactic noise, the peculiar smell of ozone and wet cement. What I hadn’t anticipated was how deeply, viscerally frightening it would be. I expected to feel small; I did not expect to feel swallowed. I didn’t know the storm would be as present within me as it was around me, in the ringing of my ears, the hammering of my heart, and a resounding pressure that seemed to push the plates of my skull apart. This was not the green-eyed summer storm of my childhood; this was the jackboot of a jealous god.


Hurricane Ike decimated Galveston. On the real-life beach where I’d placed Billy’s bar and Shay’s fictional sanctuary, only one home was left standing. Houston’s infrastructure was crippled. In our neighborhood, far from the worst of the destruction, I’d say at least half of the big trees came down. The corner of our front porch was torn away, and our back deck and pergola were reduced to rubble. Miraculously, the old oak was still standing, but we lost three pecan trees. I hate the tall privacy fences that hash up every Houston neighborhood, so it gave me a modicum of mean pleasure to see 90% of them flattened, an apt metaphor for our common plight.


The postapocalyptic suburb was a ghost town. It was almost eight weeks before power was fully restored. Our generous neighbors, George and Toni, invited us to string a series of orange extension cords over to their generator so we could plug in the refrigerator and one lamp. By day, I conducted a guerrilla book mobile from the back of my yellow VW Bug, supplying books to the neighborhood kids and folks waiting in the long gas lines. By night, I unplugged the fridge and plugged in my computer, in the zone, fleshing out a finished draft of The Hurricane Lover


I didn’t rush to publish. I wasn’t willing to make the compromises I knew I’d have to make if I put it into the mainstream publishing pipeline. Massive shifts in the publishing business model were making it possible to self-publish on a level we’d never seen in the industry. When I finally pulled the trigger on November 11, 2011, I had resources I couldn’t have imagined in 2005 when I started writing this book. During its first year, the ebook was downloaded more than 90,000 times—more than the combined total sales of my first three novels.


In 2021, my 33rd book, a celebrity ghostwriting project, debuted at #1 on the New York Times bestseller list, but I can honestly say that The Hurricane Lover still feels like the greatest success of my career thus far. It was a soul project that demanded a lot from me and asks a lot of the reader. The message beneath the mystery is more relevant than ever. Our political divide has deepened to a seemingly uncrossable chasm as disinformation and fascism find new footholds in our country. The warnings of climate scientists are still largely unheeded. Even those of us who are willing to accept the enormity of the situation are daunted by the mandate for significant changes in the average American consumer’s voracious way of life.


In 2017, as Gary prepared to retire, we decided to move from Houston to our vacation place on the beach in Washington State. Gary’s supervisor at the airline kept asking him to stay a little longer, so we put off the move again and again. I started having a strange recurring dream in which my mother, who had died a few years before, was jamming my things into big boxes, telling me, “Hurry! You need to go now.” It was unsettling enough that I finally told Gary, “I’m going to Westport. You can catch up with me when you’re ready.” He agreed to put through the paperwork so we could leave together the first week of August.


I spent weeks downsizing, digitizing important papers and family photos, purging clutter. I packed up the furniture and belongings we really cared about, securing them for storage with plans to ship everything in a month or so. We took only a few things with us: a strongbox of important documents, my mother’s ukulele, several pieces of art that we didn’t want handled by movers, and two small suitcases with clothes for the road trip.


We arrived at our home on the Pacific Coast on August 19, 2017. On August 26, Hurricane Harvey, a catastrophic Cat 4 megastorm, swept the Gulf Coast. Our home in Houston was flooded to the ceiling. 


I sat on the beach 2,500 miles away, looking out at the Pacific Ocean, weeping for our dear friends and neighbors who’d lost their homes and for the music venues, art galleries, and historic structures in this beautiful city we had loved and lived in for 23 years. I thought about the river of filth and debris that Shay waded through as the sun went down on the ruined city of New Orleans. That same river flowed through Houston now, and as far as I knew, all the belongings we’d so carefully put into storage were part of it. 


But we were not. 


We’d made the decision to step away from the city and lead a different kind of life. It was a big change, but people are capable of big changes when we choose to be. And change happens, whether we choose it or not. Change comes, catalyzed by decision or rained down by fate, an unstoppable force of nature that floats away the wooden chairs and garden gnomes, robbing us of our clutter, leaving us shaken but wiser. 


The Hurricane Lover is available in paperback and ebook at your favorite book retailer. 


Monday, February 14, 2022

The Hurricane Lover is out of the vault

 

As Hurricane Katrina howls toward New Orleans, Dr. Corbin Thibodeaux, a firebrand climatologist, preaches the gospel of evacuation, weighed down by the spectacularly false alarm he raised a year earlier. Meanwhile, journalist Shay Hoovestahl is tracking a con artist who uses storm-related chaos as cover for identity theft and murder. She drags Corbin into her plan, which goes horribly awry as the city’s infrastructure crumbles, a media circus spins out of control, and another megastorm begins to brew in the Gulf of Mexico. The Hurricane Lover is a fast-paced tale of two cities—one ruled by denial, the other by fear—and two people whose stormy love affair is complicated by polarized politics, high-strung Southern families, and the worst disaster management goat-screw in US history.


Drawing on firsthand experience, Joni Rodgers writes knowingly about the dramatic megastorms, weaving in climatology studies, riveting blow-by-blow weather reports and forecasts, and actual FEMA emails later released through the Freedom of Information Act. In this special 10th Anniversary Edition, bonus material looks back on the eerie prescience with which The Hurricane Lover—which was never meant to be more than a can’t-put-it-down thriller—foreshadowed a climate in crisis and a democracy coming apart at the seams.

Thursday, August 29, 2013

THE HURRICANE LOVER tells the story behind the history of #HurricaneKatrina

I rarely talk up my own books in this space, so I'm hoping you'll indulge me for a moment.

Eight years ago today, Hurricane Katrina slammed into the Gulf Coast, bringing flood waters that destroyed most of New Orleans and caused a mass migration of evacuees into Houston. While I was helping with relief efforts, carrying water to evacuees who waited in the 100+ heat to be processed into the Reliant Center, a New Orleans police officer told me, "This is great for con artists and media people."

That offhand comment was the initial inspiration for my novel, The Hurricane Lover. My prime directive is always to tell a good story, but this book was a soul project. I wanted readers to really feel what happened here that summer, to see the human faces and be reminded that, while both government and mainstream news media failed us spectacularly, We the People came together with strength and compassion.



As part of my research for The Hurricane Lover, I slogged through thousands of emails to and from Michael Brown, who was head of FEMA at the time. (Remember GW saying, "Heck of a job, Brownie!" Yeah. That guy.) A prominent figure in those pages is Craig Fugate, who was appointed by President Obama to take over FEMA in 2009. Fugate, director of Florida's Division of Emergency Management at the time, was one of the unsung heroes of Katrina. It wasn't his responsibility, but he understood the magnitude of what was happening, and more important, he cared, and he seriously stepped up. Brownie... not so much. The fact is, he'd already quit the job, but was prevailed upon to wait with his official resignation until after the holiday weekend. (The irony makes one's teeth hurt.)

The day after Katrina, while Fugate frantically scrambled to mobilize ice and body bags, Brown and his secretary exchanged the following email, which was later made public through the Freedom of Information Act. This was one of many exchanges that literally brought tears to my eyes. My goal in this particular chapter was to place it in a more personal context. The character Ms. Martineau was inspired by an elderly lady I sat and talked with at a shelter in Houston.

From The Hurricane Lover:
..................................
Tuesday afternoon August 30
From: James, Tillie
To: Brown, Michael D
Sent: Tue Aug 30 22:43:17 2005
Subject: U ok?
..................................
From: Brown, Michael D
To: James, Tillie
Sent: Tue Aug 30 22:52:18 2005
Subject: Re: U ok?

I’m not answering that question, but do have a question. Do you know of anyone who dog-sits? Bethany has backed out and Tamara is looking. If you know of any responsible kids, let me know. They can have the house to themselves Th-Su.
..................................
From: James, Tillie
To: Brown, Michael D
Sent: Wed Aug 31 05:49:23 2005
Subject: Re: U ok?

No I don’t know anyone. Want me to see if my son is in town and can do it? D---- was looking for someone recently too. Maybe he knows someone.

Don’t answer my question then. Still working on project today from home. It’s crazy I hear in the office.
..............................................
From: Brown, Michael D
To: James, Tillie
Sent: Tue Aug 30 22:52:18 2005
Subject: Re: U ok?

Sure, if he likes dogs. Check with David, too.

I should have done my announcement a week early.
..............................................
“I know folks think I’m outside my mind, but I won’t ever leave the house for a hurricane. I can’t leave my babies.” The old woman in Shay’s viewfinder thoughtfully stroked the little French bulldog in her lap. “If the Lord wants me home, he calls me home, and I’ll be glad to see him. I never got afraid. Not when I was a child and not last night. Was it last night?”

“Yesterday morning, Ms. Martineau,” said Shay.

“Oh, yes. Yes, the darkness makes it like black night.” The old woman nodded with her whole body. “Like a great wild animal swallowed up the sun.”

Shay was afraid to breathe, the shot was so perfect, the old woman so unbearably beautiful. From the little balcony outside the second floor bedroom, she was able to frame Ms. Martineau with a trace of wrought iron railing behind her and the massive river of slow-moving trash and branches traveling past in the shady street below. It was only ten or twelve inches deep, but in the shade of the broken oaks, it appeared as dense and unknowable as the Mississippi.

“You were saying…you weren’t afraid…” Shay prompted gently.

“Oh, no. I don’t get afraid. I always know that my mama is praying for me.”

Shay blinked back the sting that came up behind her eyes. “Me too.”

“If you see my granddaughter,” said the old woman, “you tell her I’m all right. This house is a good house. Never takes water above that third step right down there.”

“How long have you lived here?” asked Shay.

“Oh, longer than I been alive. I baked my bread and had my babies in this house. My nephew—he’s passed now—he put in the new water heater…oh, three years ago. Was it three years? Maybe it was seven. I wasn’t driving anymore. I know that. We enjoy sitting out here when the mosquitoes aren’t too bad. My great-grandchildren have a sandbox down there.”

She pointed a knobby finger toward the surface of the water that had crawled from the curb to the porch steps in the short time Shay had been sitting with her.

“I’ll stop talking now,” said Ms Martineau. “I get dry and these new teeth, they rub.”

“Thank you so much for visiting with me, ma’am. Do you have water set aside in the house, Ms. Martineau? It’s hot. You have to drink lots of water.”

“Yes, my nephew put in the new water heater last year.”

“Here, drink this.” Shay handed the old lady a water bottle she’d been hoarding all day, along with the last MRE. “I want you to stay up here and eat this tonight. Don’t go downstairs to your kitchen.”

“Well, you’re too sweet,” said Ms. Martineau. “Did you bake this yourself?”

Shay packed her camera in her tote bag, then took off the white shirt from Corbin’s closet and tied one sleeve to a scrolled frou-frou at the corner of the balcony rail.

“I’m putting this here so they’ll know someone needs help, all right, Ms. Martineau? Don’t take this down. Somebody will come along in a boat and see it. The National Guard or the police.” Shay tried not to think about the possibility that the white flag might be under water by morning. “If someone comes for you with a boat, you go with them. They’ll take you somewhere safe. Your granddaughter will know to look for you there.”

“Oh, no, honey child, I have the dogs. I can’t leave my babies.”

“Ms. Martineau…” Shay bit her bottom lip. “I’ll come back and check on the dogs.”

“Oh, would you, dear? And feed them?”

“Sure. Of course,” Shay lied, caught in one of those horrible Chinese finger puzzles where anything you say is wrong. “You stay upstairs until the boat comes. Promise?”

“All right, dear. So long as I know my babies are in good hands. If you see my granddaughter, you tell her I’m all right.”

The two exchanged a warm embrace, and as Shay made her way down through an angled stairway tiled with family photos to the front parlor that was everyone’s grandmother’s parlor in some respect, she made the conscious decision to take this sort of story with her when she left the sunshine gig. The intensely beautiful faces and voices of folks who were no one in that they were everyone. The hard core news was only a fraction of the story without Ms. Martineau’s face, soft as onion paper, alive with history.

Shay made another slow, deliberate trip up and down the stairs, with the camera on this time, knowing this history in faces, in button shoes, in old timey clothes and funeral portraits would be lost to the water within a matter of hours. The voices would last only as long as Ms. Martineau’s memory, and that was fading with the light.

Read the rest: The Hurricane Lover 

Tuesday, July 29, 2008

Katrina and Katy Reckdahl: a writer becomes the story



In the midst of Hurricane Katrina, Katy Reckdahl was at her most creative -- having a baby in a New Orleans hospital. Here she talks about her experience and the book City Adrift.