Showing posts with label pushing daisies. Show all posts
Showing posts with label pushing daisies. Show all posts

Monday, September 21, 2009

What Kristin Chenoweth knows (and Kanye West and Joe Wilson don't) that writers need to learn

Last year on Emmy night, Kristin Chenoweth showed up dressed to the requisite long and flowy nines, nominated for her role in "Pushing Daisies," a quirky but critically acclaimed show that was on the rise and destined to become a cult hit.

"It wasn't my moment," she shrugged the next time I saw her. "And losing to someone as fabulous as Jean Smart doesn't sting too much."

Last night was her moment. My girl Cheno showed up in an adorable dress that was neither long nor flowy. Hers were the only legs I saw on the red carpet, and if she hadn't been fighting off a migraine headache, she'd have been suffering less than anyone else there because the poorly planned gauntlet stretched out stifling hot in the direct sun.

She was nominated for the same role in "Pushing Daisies," but the show was canceled last spring and sank quickly and quietly beneath the waves. Turns out destiny isn't always what we think it is. As delightful as she was in the show, the show was dead, and frankly, I don't think anyone was betting the farm on anything other than "30 Rock to sweep." Kristin was surprised to have been nominated and looked stunned when she won.

Alone in a hotel room in Florida (I'm off working with another ghost client), I leaped off the couch, spilled my wine, whooped out loud. This victory is so much more delicious because I've seen this woman lose so graciously.

Kristin is a serious artist with an Masters in Opera Performance and a long history of mule-tough theatre work. Despite the cutesy stuff you see on E!, her career is about dedication to craft, not the collection of accolades. Losing well is something she talks a lot about in her NYT bestselling memoir, A Little Bit Wicked: Life, Love and Faith in Stages. There's a long, hilarious chapter about her perennial "second runner-upness" and various "nomin-not-tions."

"Awards are on the outside. Rewards are on the inside," she says in a sidebar of advice for young actors. "That means rewards don't have to be dusted."

When she collected her soon-to-be-well-dusted Emmy last night, Kristin gave credit to Amy Poehler for rallying her fellow noms in the Best Supporting Actress in a Comedy category ("C'mon! We're the funny girls!") to steal the show with a great little bit. I loved the spirit of that bit: We're all in this together. Only one of us is going to win this time, but we're here because we love what we do.

We've seen some examples of galactically poor losers lately, and in a field as fiercely competitive as publishing, we see the same bitterness play out on smaller stages every day. I just want to take a moment to celebrate these women who know the essential truth of making a life in the arts: You win some, you lose some. But if you hang in there long enough, work hard enough, care about craft deeply enough, and rise above the disappointments, your moment will come.

Watch and learn...

Friday, July 17, 2009

Cheno gets another Emmy nom! (Go, homegirl, go!)


Oh, I am a proud book nanny. Kristin Chenoweth scored a second well-deserved Emmy nomination yesterday for her singing, dancing, adorable role as Olive Snook in Pushing Daisies.

No one was surprised to see this hyper-creative show get canceled earlier this year. It was frankly too good to last -- all about rich writing, quirky characters, an elaborately choreographed premise, and more living color than we've ever seen on TV. I got to hang out on the set a bit while I was working on Kristin's book, and everyone in the cast and crew was so proud of this really good art they were making. Happily, the work will live on on DVD -- it's one of those shows destined to have a cult following -- and we'll catch a last loving glance of Olive on Emmy night.

Meanwhile, Kristin's going to be on an upcoming ep of Jerusha's new favorite show, Glee, doing her symphony gigs here and there, and back on Broadway with Tyne Daly, Katie Finneran, Rosie O'Donnell, Mary Louise Wilson, and Rita Wilson in Love, Loss, and What I Wore, Nora and Delia Ephron's adaptation of Ilene Beckerman's 1995 book, about clothes and the memories they trigger.

Thursday, July 17, 2008

Gofightwin Cheno! (My homegirl is up for an Emmy!)

Gotta shout out (woooot!) to my friend, Kristin Chenoweth, who received an Emmy nomination this morning for the supporting role of Olive Snook in the wonderfully quirky dramedy series Pushing Daisies. Having spent the last few months working with Kristin on her forthcoming memoir, A Little Bit Wicked (Simon & Schuster, April 2009), I can tell you there's not a sweeter soul in Hollywood. Kristin's an amazing talent (girlfriend's got a Theatre BA and MFA in Opera Performance) and the hardest working woman I know. While you're waiting for the book, here's a little Snook:

Wednesday, June 04, 2008

Musical interlude: "Birdhouse in Your Soul"


How much did we all love Colleen's moving post about Andrew's graduation yesterday? (C'mon, give it up for Colleen!) I'm up to my neck in deadline soup, but I wanted her to have a chance to recover from the festivities, so I'm posting a tasty little trifle today to nudge your thoughts about originality, creativity, and what works.

Every once in a while we get a great reminder that an idea that would sound too bizarrely unworkable for words if you tried to explain it to someone...well, it can fly. Above is a little snippet of a song featured last season on Pushing Daisies, the astonishingly...astonishing TV show created and directed by Bryan Fuller. Kristin Chenoweth and Ellen Green -- two Broadway icons who look great on TV -- deliver a different take on "Birdhouse in Your Soul", a song originally (emphasis on "original") done by They Might Be Giants. And below is the They Might Be Giants version. Pure poetry. And another reminder that anything and everything is allowed.


Let your thoughts wonder.