Thursday, May 31, 2007

Speaking of survivorship

All over the country this weekend, there will be National Cancer Survivors Day events. I'm off to Indianapolis for the The Wellness Community of Central Indiana's 3rd annual Survivorship Symposium, a free educational symposium for people with cancer, their loved ones, and health care professionals. Tomorrow morning, I'll open the symposium by doing the most powerful thing you can do after you've had cancer: live to tell about it.

By the Wellness Community's definition, the term "cancer survivors" refers to those people who have been diagnosed with cancer and the people in their lives who are affected by the diagnosis, including family members, friends, and caregivers. Every one of them has a unique perspective on an amazing journey of pain and discovery, and I look forward to hearing their stories.

Speaking tomorrow afternoon at the Indie conference is the ridiculously talented and hilarious Scott Burton, world champion juggler and author of A Life in the Balance, a refreshingly honest, funny and inspirational book on surviving cancer. (Check him out!)

Wednesday, May 30, 2007

Darwin Was Here: Rollin' with the Evolutionary Flow


My sister and I were recently discussing evolution. Not the Scopes trial monkey-t0-man type, but the kind that comes flying at you so fast, you sit there gaping like a fool instead of stepping neatly out of the way.

Point in fact: Conditions change, in relationships, the marketplace, careers.
Point in fact: You adapt or you die... or stagger zombie-like through what's left of your life, muttering crap about the publishing world's (or whatever's) unfairness and how you won't pander to whatever raging stupidity is currently in vogue.

If publishers want to stay in business, they have to make concessions to reality. If authors want to continue publishing, they have to do the same. This doesn't mean you're selling out, not if you can find some way to do so that's in line with your core values and your central vision for your work. The commercial authors I know who have been publishing for twenty or thirty years or more have all transformed themselves at some point or another. Those who refused became irrelevant and slipped into obscurity.

In terms of biology, change equals stress. But failure to change? That equals extinction.

You decide.

Tuesday, May 29, 2007

Colleen ist eine Berliner


I'm going to bug my BtO cohort Colleen Thompson to post a collection of her cool foreign covers. This one is for the German version of Fatal Error being released by Bertelsmann (the streuseler arm of Random House) in December.

ThrillerFest

Bloodstone author Nate Kenyan is working hard to spread the word about upcoming ThrillerFest and the CraftFest writers conference and asked BtO to pass this along:

ThrillerFest is the most exciting event of the year for fiction's most popular genre. Over 150 of beloved and best selling authors will be in New York City to mix and mingle with fans during this unprecedented four-day celebration. Attending writers will include Clive Cussler, James Patterson, Jeffery Deaver, Heather Graham, Vince Flynn, Lisa Gardner, Lee Child, Gayle Lynds, Tess Gerritsen, David Morrell, Jim Fusilli, John Lescroart, M. Diane Vogt, M.J. Rose, Steve Berry, Doug Preston, Joe Finder, David Hewson, Jim Rollins, Michael Palmer, Christine Kling, D.P. Lyle, Christine Goff, Robert S. Levinson, Jon Land, Shirley Kennett and many more.

CraftFest, a day of intensive, interactive presentations the day before ThrillerFest opens, is for writers at every level. They'll learn from the best, a truly awesome group of thriller professionals assembled for one day to teach and inspire!

Registration for ThrillerFest is open to everyone, with three separately-priced events packages: CraftFest on Thursday, July 12; the ThrillerFest Conference from Thursday, July 12 - Sunday, July 15; and the Thriller Awards Banquet at 7:00 p.m. on Saturday, July 14. Day passes are available.


Check it out.

Monday, May 28, 2007

A moment in the life of a working class hero

My husband is a working class hero. A jet plane mechanic who goes unquestioningly to work every night, because working is what you do for your family. And because you respect yourself. I love that about him. But this morning, he dazzled me with a burst of Sparticus that left me thinking about what a hero is and what makes the common man delicious to know. And to love. And to read about.

I tend to bogart the back corner table at Starbucks, where there’s a steady supply of caffeine for me and electricity for the laptop. Gary gets off his night shift at the airport at 8 AM and joins me there, reading the paper, doing the daily Sodoku and crossword puzzle. Sometimes we sit and chat. Sometimes we just sit. He’d just settled in across from me with his coffee when I glanced up and noticed a tall, skinny kid walking briskly out the door. With the tip jar.

Without a second thought, Gary bolted after him, chased him out into the parking lot where his friend was waiting in a bright red sports car. The kid dove into the passenger seat. Bellowing like a centurion, Gary seized hold of the door and held on as the driver jerked the wheel to the side, butting Gary with the front bumper as they blazed out of the parking lot. Unhurt and buzzing with adrenaline, Gary hurried back in and called the police, while I sat there, stunned, seeing with a writers cursedly vivid imagination how this encounter could have very easily gone horribly awry.

What could he have been thinking? A fifty-five year old man chasing after a twenty-year-old punk for a lousy—what could it have been this early in the morning? Sixty bucks? Clearly, he didn’t think. He just acted on autopilot. It was one of those crystallized moments that tells you: This is who you are.

The dude who took the tip jar had obviously given it some thought. As had his friend who was waiting in the parking lot. The writer in me again rears her ugly head, insatiably curious about their backstory. What brought them to this moment, this choice? Being a sappy “everybody is somebody’s baby” type, I actually felt a stab of sympathy for them. Gary is 6’3” and then some, weighs 300 pounds (and then some) and shaves his head. At first glance he looks like the love child of Annie Lenox and Andre the Giant. When he seized hold of that car door, both those scrawny young guys looked scared shitless. In their autopilot moment, they swung that car in a Y-turn and took off, not knowing or caring what they might have done to the human being they left behind. And in his give it some thought moment, Gary got their license number instead of taking after them in his truck.

It’s well and good to be able to do the right thing on further consideration, but a man is who he is in those perfectly crystalized, unconsidered, virgin moments. A coward or a hero. A fool or a scoundrel. Those are the moments in story when the essence of character is revealed.

The redemption – or regret -- comes after.

Saturday, May 26, 2007

Oooh, Girl Germs!


Yesterday, as I was discussing possible avenues for promoting an upcoming book with fellow BtO member, Joni Rodgers, I kept alluding to closed doors -- mainly, the bias against "chick books" in general and mass market romantic fiction in particular that makes its authors less than popular among hosts of radio and TV morning shows. Ironically, a large percentage of TV morning shows have an overwhelming female, often romance friendly audience, but even so, those who choose guests react as if they're going to get girl cooties or have their shiny-new college degrees confiscated if they allow a romance author to grace their set.

The bias runs deep, and, oddly, women tend to be worse about it than men. Book club members would far rather pay up to to thirty dollars a copy for a hardcover or up to fifteen for a trade paperback than the seven or eight dollars a pop of a mass market paperback. And if they had to buy it in the romance section of the bookstore... well, fahgeddaboutit.

Yet over the past couple of years, since I starting writing romantic thrillers with a heavy mystery/suspense element and (even more importantly) no face-sucking clinch covers, I've been invited to a number of local book clubs -- the first romance author they either asked or read (in many cases). Many of these ladies -- whom I found absolutley delightful -- expressed astonishment that the book was so well-written and enjoyable. Still, most hastened to assure me they'd be returning to something more serious the next month.

I have no problem with that. I'm an ecletic reader, whose bookcases hold a variety of non-fiction (lots of history), memoirs (The Glass Castle by Jeanette Wells is a recent favorite), and novels ranging from action-adventure/science fiction to romance to mystery/suspense to seriously literary. Depending on my mood, I my want something fast and fun or deep and thoughtful. I think a lot of people feel the same.

There are good books and bad books (by that, I mean poorly written or just plain stupid) in every single category, but I don't believe their are "good" and "bad" genres. I think this snobbism toward books written by women (mainly) and about women for women is ridiculous, and I especially think that the blanket rejection of the feminine perspective (where else but in romance does the woman always win?) by people who probably believe themselves to be feminists is flat-out wrong. Every time I hear it, I think of second grade boys wailing and cringing about "girl germs" on the playground.

Well, my cooties can beat up your cooties. And I make no apologies for that. :)

In memory of R. H. Rodgers

This description of a sailor's guileless spirit comes from Billy Budd by Herman Melville and reminds me of my father-in-law, who served in the navy during WWII.
Habitually living with the elements and knowing little more of the land than as a beach, or rather, that portion . . . set apart for dance-houses, doxies, and tapsters, in short what sailors call a “fiddler’s green,” his simple nature remained unsophisticated by those moral obliquities which are not in every case incompatible with that manufacturable thing known as respectability. But are sailors, frequenters of fiddlers’ greens, without vices? No; but less often than with landsmen do their vices, so called, partake of crookedness of heart, seeming less to proceed from viciousness than exuberance of vitality after long constraint; frank manifestations in accordance with natural law. By his original constitution aided by the co-operating influences of his lot, Billy in many respects was little more than a sort of upright barbarian, much such perhaps as Adam presumably might have been ere the urbane Serpent wriggled himself into his company.

Friday, May 25, 2007

In Memory of the Poet Jon Lokowich

Thy gift, thy tables, are within my brain
Full character’d with lasting memory,
Which shall above that idle rank remain,
Beyond all date, even to eternity:
Or, at the least, so long as brain and heart
Have faculty by nature to subsist;
Till each to raz’d oblivion yield his part
Of thee, thy record never can be miss’d.
That poor retention could not so much hold,
Nor need I tallies thy dear love to score;
Therefore to give them from me was I bold,
To trust those tables that receive thee more:
To keep an adjunct to remember thee
Were to import forgetfulness in me.

Sonnet CXXII
William Shakespeare
in memory of Jon Lokowich who served in Vietnam

Thursday, May 24, 2007

"No sex, please, we're morons."

I think it’s the moral duty of studious readers and of karma-conscious authors to combat the legion of poptarded skimmers posting “book reviews” (which are in fact just opinions, the source of which we have no way to consider) on Amazon, BN.com, and other bookselling sites. So I hopped on Amazon yesterday to post this comment on Michael Gruber’s The Book of Air and Shadows:
My husband (a Grisham-Clancy-Elmore Leonard type) and I (a Dante-Hesse-Didion-head) wrestled this book back and forth between our nightstands unmarking each other's places until I went and bought a second copy. That's how engrossing, broadly appealing, and wonderfully well-written it is. I laughed out loud, marveled at a few Proulx-caliber metaphors, and was entirely sucked into the intricately woven story. My dad (Zane Grey-Crichton-AARP Magazine) will be getting a copy for Father's Day.
And I meant every word, though I will say up front that Gruber and I have an editor in common. (I don't know him personally.) Glancing over the other comments, I was stunned to see several utterly unwarranted complaints that the book is oversexed, including this one:
I'm no prude, but reading this book was like watching a good movie that is spoiled by gratuitous sex scenes. One look at the author's picture tells you that our portly writer is projecting his aging sexual fantasies onto his rotund, sex-machine heroes. If characters want to "get it on," please spare me the gory details.
Without even addressing the grossly inappropriate personal attack on the author or debating the meaning of the words ‘gratuitous’ and ‘prude’, I would like to take this moment to request that this person and any other “reviewer” who thinks there’s too much sex in any given book a) close the book and b) shut up.

As you may have detected, this is a pet peeve. I ground my teeth to stumps when I saw this 2-star screed dragging down the Amazon rating on my novel The Secret Sisters:
…I must say, however, that I did not expect the level of "humidity" (i.e., sexual content) that would be found in some of the "tales." I, like Pia, found myself "leaning in closer to hear" and yet not able to imagine why I "wanted to hear them." (Those lines were GREAT writing by the author, by the way!)…I would have appreciated knowing ahead of time that there were some sexual tones in the content.
The rest of the comment is very complimentary, but -- two stars. The dirty bits just ruined it. And apparently, the cover blurb saying "Joni Rodgers can write sex scenes that curl your hair and straighten your toes" (or something to that effect) wasn't enough of a clue that I am not tortured about that topic and treat it with no more reservation than I treat baseball or sleep or pumpkin pie or anything else that enters into human experience. I'm frankly confounded when a reader comes away from a 380 page book remembering nothing but the 3% (if that) that had to do with sex, I can honestly say to that reader, "It's not me, dear. It's you."

There's no such thing as a "sex scene" in good, well-layered fiction. It doesn’t matter if two character are having sex, making coffee, driving to Dallas, or weaving baskets -- something else should always be happening. Character development, a furthering of the plot, some clue to an interpersonal mystery. Sometimes a scene misses the mark and that underlying element isn’t as clear as it could be, but we never hear complaints about gratuitous basket-weaving scenes. The “too much sex” complaint comes from a very specific type of vociferous reader and strikes my ear on exactly the same note as the “too many big words” complaint.

A book is what its author has decided it should be, based on thousands of invested hours. A reader is entitled to an opinion, based on the dozen or so hours he/she has invested in the book, but that means saying, “I didn’t like it” or if they want to be mean, “It made me want to puke” or if they want to be honest, “I didn’t get it.” If they prefer books that have more or less or bigger or smaller of something, I wish them the best of luck on their quest for literature that features whatever commodities in whatever quantities suits their taste, and I promise to never ever show up at their jobs and say, “Hey, you used too much mortar, Mr. Bricklayer” or “I’m no prude, but I would appreciate a warning if you’re going to be tossing around all those numbers, Ms. Certified Public Accountant.”

Yes, there are bigger and more important challenges going on in this business, but I think this one is worth a little rant. Or maybe I just need to get laid.

Wednesday, May 23, 2007

Coupon Girl: Becky Motew's debut

Becky Motew is touring the Girlfriend Cyber Circuit this week with her debut novel, Coupon Girl, a tale of love, longing, community theatre, and -- yes, coupons. Cruising Becky's website is a delight, and book buzz is healthy with raves from Library Journal:
The book's focus remains firmly on Jeanie, whose wry sense of humor and good-heartedness make her the kind of gal you'd want as a friend. Jeanie is not perfect, and she makes mistakes along the way-especially in the romance department-but she's a lot of fun...this book is strongly recommended for all fiction collections.

And Booklist:
Welcome to the not so glamorous but often hilarious worlds of mail-order marketing and community theater...Motew writes about every day life: work, family, relationships...there's plenty to love about this quirky novel.

Go, girlfriend, go!

Monday, May 21, 2007

Say It Isn't So - Miss Snark Retires Blog


Anonymous agent "Miss Snark" has been a blog staple for years. Her acerbic commentary, helpful advice, and devotion to gin and George Clooney (full disclosure: I share one of those loves; can you guess which one?) have garnered her legions of fans and over two million hits.

But alas, Miss Snark is retiring her blog and leaving us the captains of our own nitwittery. (Anybody have a crap-o-meter I can borrow?) She'll remain an agent (anonymous as ever), and Killer Yap will continue to keep an eye on her.

The blogosphere won't be the same without you, Miss Snark. You'll be missed!

Saturday, May 19, 2007

A lot of it will be wrong, but just enough of it will be right.

Driving home from Destin yesterday, my daughter and I listened to an unabridged recording of Ray Bradbury's Fahrenheit 451 from Blackstone Audio. I'd forgotten what a powerfully well-written, inspiring, and uplifting book it is. Or maybe I never knew. Certainly what it means to me now, as a writer at this moment in time is a far cry from what it meant to me as a high school bookworm.
Montag looked at the river. We’ll go on the river. He looked at the old railroad tracks. Or we’ll go that way. Or we’ll walk on the highways now, and we’ll have time to put things into ourselves. And some day, after it sets in us a long time, it’ll come out of our hands and our mouths. And a lot of it will be wrong, but just enough of it will be right. We’ll just start walking today and see the world and the way the world walks around and talks, the way it really looks. I want to see everything now. And while none of it will be me when it goes in, after a while it’ll all gather together inside and it’ll be me.

Friday, May 18, 2007

The Joy of a Great Cover


Here in writing land, it's been a rather harrowing week, but not without its blessings.

Chief among them is the fact that I'll about ready to send in the manuscript of THE SALT MAIDEN (Love Spell, Dec. 2007), a book I've loved working on. Also, I received via e-mail both the lovely (and decidedly creepy) cover art and the back cover copy, which once again proves that my editor has a real genius for encapsulating a story in a manner sure to entice readers.

The cover art can make or break a book. Along with the title, it often what compels a reader to pick up your novel from among its competitors, but the back cover (or cover flap) book description, in my opinion, is what really seals the deal. Most people don't realize it, but very few authors control their own cover art or write their cover copy (since it's a highly-specialized form, more like advertising copy than writing a novel). Titles, too, are often changed, and other than squawk and suggest alternatives, there's not much most authors (unless you're, say, J.K. Rowling) can do about it. So getting to keep my own title, getting pretty much exactly (only better) what I suggested for the cover, and ending up with copy I love is like hitting the Trifecta. It's a victory that keeps me rolling past the speed bumps this job has to offer.

In case you're curious, here's that copy:

THE SALT MAIDEN

Deep beneath the desert lies a woman’s body, mummified by salt, abandoned by those who ought to seek her. With her rests a secret that someone will kill to keep buried.

Devil’s Claw

It’s a barren wasteland, the dead center of nowhere, and the last place Dana Vanover wants to be. But it’s also the last known address of her missing sister. Determined to locate Angie, Dana won’t be deterred by suspicious rednecks, snakebite, or even the grim prognosis of Sheriff Jay Eversole: no woman could survive more than a week alone in the burning heat of Rimrock County . But the endless sands aren’t the only thing hotter than the chili served up in the Broken Spur café. Despite small-town dirty politics, a deadly car chase and a dangerous paternity search, Dana and Jay can’t keep their hands off each other. In the least populated area of the country they’ve managed to find love. Now all they have to do is stay alive long enough to uncover…

The Salt Maiden