As a writer, I am by nature an organic writer--or a "pantser," if you will, meaning that I prefer to feel my was forward one page, one sentence at a time, with plenty of backtracking for course corrections.
By practice, however, I'm forced to be more of a plotter, to organize my ideas for the book long before it's actually written. This allows me to work out kinks in the plot, avoid writing down 150-page blind allies, and sell books on proposal (since I'm an experienced novelist). It's a huge time-saver, allowing me to figure out which ideas have a shot at selling before I've invested the six months to a year it generally takes me to write a book.
But sometimes, it flat-out doesn't work, and I find myself second-guessing all my well-laid plans, reinventing everything beyond the bare bones of the story, and panicking that my pantser-plotter hybrid--a Frankenstein's monster of an amalgamation--will never come to life. This is stressful enough under any circumstances, but when I'm already on a tight deadline and facing the holidays as well, it gets even harder.
Right now is such a time, and only one thing keeps me going, the knowledge that if I keep blundering through the forest, chopping at the bad prose and weak motivations with my blunt-edges hand axe, eventually, I'll find my way into the light. Here's hoping I can manage it before my deadline!
Do you plot ahead, or are you an organic writer? For those of you who work from a synopsis, how often do you find yourself changing your mind as you go along?
By practice, however, I'm forced to be more of a plotter, to organize my ideas for the book long before it's actually written. This allows me to work out kinks in the plot, avoid writing down 150-page blind allies, and sell books on proposal (since I'm an experienced novelist). It's a huge time-saver, allowing me to figure out which ideas have a shot at selling before I've invested the six months to a year it generally takes me to write a book.
But sometimes, it flat-out doesn't work, and I find myself second-guessing all my well-laid plans, reinventing everything beyond the bare bones of the story, and panicking that my pantser-plotter hybrid--a Frankenstein's monster of an amalgamation--will never come to life. This is stressful enough under any circumstances, but when I'm already on a tight deadline and facing the holidays as well, it gets even harder.
Right now is such a time, and only one thing keeps me going, the knowledge that if I keep blundering through the forest, chopping at the bad prose and weak motivations with my blunt-edges hand axe, eventually, I'll find my way into the light. Here's hoping I can manage it before my deadline!
Do you plot ahead, or are you an organic writer? For those of you who work from a synopsis, how often do you find yourself changing your mind as you go along?
Comments
1) I was still unhappy with the overall structure of the very first part of the novel, mostly in terms of scene sequence.
2) I felt like there were a couple of gaps in the plot, now that I've tightened and deleted chapters.
3) I felt like the word count was too short. This bothered me a lot.
So I decided just to see what would happen if I started filling in the plot holes. And well, the good news is that I FINALLY feel confident about the novel. The bad news? This process has begotten FIVE brand new chapters. FIVE!
At least I'm not worried about word count any more . . .
By the end of January . . . hopefully.
I know I do my best work while rewriting, with the whole story laid out before me. I know there are more efficient ways to work, but those ways aren't my ways and I just have to make peace with that fact.
Kathryn,
I'm so glad you're in touch with your process, but I really want to see you submitting and succeeding in 2012! Good luck!