#TheStruggleIsReal Why I’m Not Mad That You Didn’t Hire Me (Freelance editor Jerusha Rodgers on a millennial dilemma)

Today we hear from Jerusha Rodgers (aka "The Plot Whisperer") of Rabid Badger Editing in a post prompted by a conversation about agism in publishing, which I see from the perspective of a, um...let's say "experienced" author/book doctor in my 50s and she sees from the perspective of a fresh new face in her mid-20s. Ironically, yes, she had to explain to me about "the struggle is real."

Shortly after graduating, a friend of mine posted the greatest Facebook status ever: “I would love to reenact some the of the fantasies in Fifty Shades of Grey, specifically the one where she gets a full-time job straight out of college.”

With an economy that clings to safety (read: tradition and money) and a workforce and community that strives for advancement (read: cooler, more accessible stuff), applicants whose limited practical experience is backed up by open minds and inherent expertise in the use of technology often get left out of the running. It’s the struggle forcing many Millennials to create career paths instead of follow them.

I was lucky enough to grow up in a house where I was taught the value of what my mom calls “the tangible intangibles.” Did my year backpacking the world add a highly sought after internship or years of dutiful service at a publishing house to my resume? No. It left a discouraging gap in my renter’s history and an intimate knowledge of third world medicine. But it did teach me how to solve problems under pressure and in the face of complications. It made me find ways to bond with people whom, on the face of it, I had absolutely nothing in common. It changed the way I see opportunity and the way I define advancement. It made me realize that taking a business call at 3am Malaysian time is really not the end of the world; it’s just doing your job well, and that’s worth it. All of these are traits that employers want brought to their projects, but they want them to be learned from twenty years of climbing the corporate ladder. It’s not because there’s anything inherently better about it; it’s just that that’s how it’s been done in the past.

The problem with this line of thought is that the times, they are a-changin’. We no longer live in the world we did twenty years ago, and no one is better prepared to work in the current climate of technology and connectivity than the people who grew up in it. We have a different (read: better) understanding of how things work than what people can learn in an SEO class, but there isn’t a way to put that on your resume. There’s no spot to say, “My social media experience goes back to when you needed a college email address to sign into ‘The Facebook,’ and I knew what MySpace Angles were before there was a name for them.”

Artistic fields are always a gamble, so when the going gets tough, the bosses stop taking chances. They’re less open to “Well, no, I’ve never done that, but I know that I would excel in that project because of X, Y and Z,” because to them sounds like, “Hold my beer and watch this.” It’s totally understandable that employers are nervous to stick their necks (read: wallets) out for a newcomer, but the behind-the-scenes reality is that projects suffer for it. Newcomers push boundaries, bring fresh perspectives and incorporate an understanding of the technology-based world we live in that has taken a lifetime to learn.

And we can never explain why that’s better than twenty years of corporate experience, because if you don’t already know why, you’ll never understand. You’ll just have to hold our gluten-free craft beers and watch this.

Trying to get that adolescent kid to read this summer? SHABOOM. You're Welcome.

I rarely review YA or New Adult fiction for Joni's List, but this book really entertained me, and I think it's a sure bet if you're trying to get your tween/teenage kids to read this summer.

Howard Pickman has a terrible secret. If anyone finds out, it will mean death for everyone he loves. Even worse, he's the new kid at the most abysmal high school in America. All Howard wants to do is remain anonymous, but being a teenager can be dangerous. He'll have to fight true monsters in order to survive.

My Facebook-free summer begins today. And I LIKE it.

A while back I adopted a small policy that triggered big change: "Facebook only while standing." That simple step made me suddenly mindful of the way I'd been unconsciously getting on FB at my desk, in the car, as I lay in bed or sat at the table in a restaurant.

I justify the time I spend on social networks as part of the "platforming" I'm obligated to do as an author and ghostwriter, and I'm more than willing to admit that maybe I'm just not doing it right, but the net gain for me has been very low. It certainly doesn't justify the time it's taken away from reading and writing. Even Mark Coker of Smashwords said this year at LBF that loitering on FB and other social network time-sucks was one of the worst mistakes commonly made by indie and legacy published authors alike. The days when LIKEs converted to book sales have expired. Now we're just nickle and diming ourselves to death.

The only thing I'll really miss is lurking and spying on my kids, their cousins and my former students. I stayed through the first week of June so I could participate in a virtual baby shower for my nephew and his wife, which is the only way our globe-spanning family could come together and the most brilliant thing I've ever seen orchestrated on FB. I also communicate with authors in the UK, Greece, Italy, South America, Australia and France via FB, and I participate in a lively forum for ghostwriters on both sides of the Atlantic.

But as much as FB has the power to bring us together from the far corners of the world, it also pushes us apart by allowing us to imagine that flipping a LIKE on a photo of someone's raspberry blini is the same as being their friend. FB is the hall pass that allows us to feel okay about neglecting real world relationships. It's a local anesthetic that makes us feel less lonely than we really are.

Habits die hard, but I deleted Facebook from my phone this morning, and it didn't hurt one bit. I'll still have Messenger, so the kids can get in touch with Aunt Joni if they need to. I'll have to Skype my Dad and call my sisters. I'll have to read the news and think for myself and watch adorable ducks by the pool instead of kitten videos. I'll read a book in bed, watch passing scenery in the car and gaze across the dinner table at the man I love instead of staring down at my iPhone.

I'll be posting on this blog, and whatever posts here or on my Tumblr gets robo-posted to FB and twitter, but even if it didn't, I don't think I'd be missed. Plenty of clever memes, breakfast shots and daily noise to fill in the slimmest blank. I'll be back in September, and I'm pretty sure I won't have missed anything I haven't seen before.

"We will need writers who can remember freedom." Please be still for 6 min and listen to Ursula K LeGuin on the art and biz of writing

Ursula K. Le Guin accepts the National Book Foundation's Medal for Distinguished Contribution to American Letters at the 65th National Book Awards on November 19, 2014:

"The profit motive often is in conflict with the aims of art. We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art—the art of words..."

Two of my fabulous girlfriends are at the Tonys!

One you may have heard of: Kristin Chenoweth brought me in to collaborate on her hilarious memoir, A Little Bit Wicked, a few years ago, and we've been friends ever since. She's currently blowing the doors off Broadway in On the Twentieth Century and is up for Best Performance by an Actress in a Leading Role in a Musical. She's also hosting, because...Cheno.

My other Tony girl is my longtime pal Marianne Adams, director of education at Grandstreet Theatre in Helena, Montana, who was shortlisted (top three of over 4,000 nominees) for the Excellence in Theatre Education Award from the Tonys and Carnegie Melon University.

Marianne and I became friends almost 30 years ago when we appeared together in Crimes of the Heart as Babe (MA) and Lenny (me). Marianne started teaching at Grandstreet Theatre School shortly after that. Over the years, she's made GST a safe, welcoming home for thousands of artsy, smart, interesting, misfit, hyper, hipster, creative kids from preschool to college.

Marianne was nominated by her students and coworkers who'll be glued to the Tonys broadcast on CBS tomorrow night, hoping to catch a glimpse of her in the red carpet.

I'm ecstatic that the Tonys will be honoring a teacher from a small town in Montana alongside the biggest stars on Broadway. Theatre, like publishing, is a lot more than just what happens in New York. As in publishing, there's a lot going on behind the scenes, and the people who work backstage often go uncelebrated.

The fact is Kristin and Marianne are a lot alike: both powerhouse talented, completely dedicated to the art of theatre, enormously giving, loving, intelligent and generous. They've both spent their lives learning, performing and mentoring. They're both hilarious, and I can't imagine my life without either of them.

Break a leg, Kristin and Marianne!

Post your pups on Whatever and Scalzi will donate $$ for speculative fiction diversity

Post a photo of your happy dog or puppy on John Scalzi's Whatever blog before midnight tonight! He's donating a dollar per dog (up to $1000) to Con or Bust,a non-profit organization whose mission is to increase racial and ethnic diversity in the production of and audience for speculative fiction.

Oh, this made me miss Manny and Rosie! (And Redbone and Khan.) Over the years, we've been ridiculously blessed in the puppy department.

Here's the link! Post that pup!

#First50Words of a beach trash classic: "In Beverly Hills, only the infirm and the senile do not drive..."

Happy Summer!

The Art of Upscale Downsizing: 3 simple rules that transformed my new workspace

Last weekend, the Griz and I moved into our new quasi-retirement digs (read Aging Hippie Lakeside Love Grotto), between thunderstorms and flash flood warnings. As water continued to rise just a few hundred yards from our new place, the complex management sent out text messages warning residents to watch for snakes on the property, and in the spirit of encroaching apocalypse, I did something I've never done before: I made my office my first priority.

Typically, my office (or my cough "office" cough) has been the last room in the house to be finished. This time, my kids are grown, my life is my own, and the Griz is happy to share center stage with the work that keeps me happy and contributing to our solvency. This week I'm scheduled to dive into editing Orna Ross's forthcoming historical novel about W.B. Yeats and his paramour Maud Gonne. It's a beautiful, important book, and I wanted to be ready for it.

My new sunroom office in this one-bedroom apartment is just 8x10 feet--half the size of my upstairs office, with which I'd fought a major organizational/ housekeeping battle, in our old four-bedroom house. I was nervous about the drastic downsizing, but as I worked through the process, I made three simple rules, which turned out to be the three things I love most about my Woolfish "room of one's own":

1) Every object must earn its footprint. For me, that means everything in this room has to A) serve and purpose and B) make me happy. Utilitarian + Joy = worth it.

Making the cut: A Salvador Dali coffee table book doubles as a lap desk. A Dr. Seuss lunchbox that houses paperclips and pushpins. My great-grandma's kitschy plaster cat, now in charge of pens and highlighters. No longer happening: Furniture, wall art and tchotchkes that were nice to have and sometimes hard to let go of but didn't pass a test of archival value ("Will my kids really want this after I'm dead?") or serve a daily need.

Gorgeous thrift store china cabinet: no. Tiger oak chair rescued from a defunct VA hospital: yes. I could have made an argument for the usefulness of either one, but the chair earns that footprint. The cabinet served as a junk collector simply because it was there. No cabinet = no junk. Winning!

2) Nothing but work happens in the workspace. It occurred to me that my most precious natural resources, time and space, are both limited, and my mindset for one naturally influences my mindset for the other. This small square footage is premium real estate, and it's most valuable to me as clean, feng shui friendly floorspace. Cluttering it with plastic bins, file boxes and obsolete computer equipment detracts from the calm, creative vibe I'm striving for, and though a lot of that stuff is arguably work-related, it's not the work I'm working on now, so it doesn't earn a footprint in this space.

Same goes for time clutter. A while back, I declared a "Facebook only while standing" policy, which immediately made me more mindful of the time I was wasting there. I try to justify social network activity as "platforming", but in truth, 90% of that falls more accurately under "farting around". So no more magazines or leisure books on the desk, and no more games or aimless net surfing on the office computer. (Isn't that why God created smart phones?)

Old manuscripts, tax records, press archives, correspondence and keepsakes took up a huge amount of space in my old office and our over-spill storage unit. I invested in a NeatDesk scanner and opted into their whole system. I'm still working through the mass exodus of paper from the storage unit, but the bottom line is: everything that can be digital must be digital. And almost anything can be digital.

I'll admit, I cried letting go of my kids' school projects, which I'd been justifying as decor in my old office. I'm keeping a few framed pieces for the wall here, but everything else is being digitally archived. My plan is to compile a coffee table book for each kid, which will be equally feng shui friendly in their future homes.

3) I work at home; I do not live at work. In the past, when my office got out of control, I could close the door and keep the insanity to myself. My new sunroom office is open to the living room in our new apartment, so it has to jibe with the living room aesthetic, and that forced me to be more mindful of the way my work serves (or or doesn't serve) the greater goal: a happy, healthy home life with this man I love. My work tends to take over at times, and I've learned that allowing work to hog all my time, space and waking thought actually makes me less productive in the long run, because I get fried and don't allow myself to recharge.

While plotting books, I've always built out massive grids of sticky notes on the wall a la A Beautiful Mind. I had stacks of books that were sent to me for reviews and blurbs. I tacked up Max Parish and Ansel Adams calendar art and scrawled notes on corkboards. The purpose of all that (in my head) was part organization, part inspiration, and it worked for me in that space, but it's not what I want to look at when I'm sitting in my living room. Not working. (No, really, I'm not. Seriously! I really mean it this time!)

Going forward, I'll be organizing writing and ghostwriting projects with Scrivener, which allows me to integrate research, character notes, and chapter material. (Try it! You'll like it.) A Passion Planner satisfies my need to physically write things down and brilliantly brings all those random corkboards and creative impulses into an intelligent plan of daily, weekly and monthly actions that pragmatically serve my creative goals. Instead of keeping a file drawer for editing and ghostwriting clients, I'm streamlining editing and book doctor projects via a nifty online system called 17 Hats, which allows me to create typical work flows from first contact to client invoice.

So instead of a blizzard of flailing sticky notes, I now have one powerful, wall-wide work of art that genuinely does serve to inspire me and provides a super cool counterpoint to the more conventional living room art. I got this amazing canvas frame X-Men panel on Overstock.com for less than $100. (It's actually a room divider.) It comes from "The Dark Phoenix Saga", in which Jane Grey (now Phoenix) kicks the stone-cold keister of Emma Frost (aka the White Queen).

Her power is a song within her... a passion beyond human comprehension. She is more alive than she has ever been...

Just the right vibe for a fiercely focused and beautifully functional creative workspace.

Last day for best book bargain of the summer: #WomenWritingWomen ends at midnight!

This year I collaborated with six other authors around the world on an extraordinary publishing experiment. Outside the Box: Women Writing Women is a box set of seven critically acclaimed novels by seriously established women writers, writing across all genres. The theme that unites the novels: the main characters are strong, idiosyncratic women characters.

The box makes a powerful statement about the universality of women's stories and about the independent women who write and read upmarket fiction. We were featured in media around the world, including a great article on publishing's glass ceiling in Guardian's book section, in which we were referred to as "the real superstars...storytellers dedicated to their craft... ground-breaking, boundary-pushing women..."

Just wanted to thank everyone for supporting and spreading the word. It's been an amazing experience on many fronts, but I think my favorite part was reading the six stellar novels by my boxmates. I was in fabulous company!

So this is it. Last chance to load your Kindle for a full summer of excellent reading, one the best reader bargains I've seen in a long time-. Seven stellar novels for the price of one.  Just sayin'.

I talk about books because books are my life. Pardon the F**K outa me. (Rant Alert)

Something that really got under my skin this week: an author friend of mine was erased from Facebook. Both her personal account and author page were yanked without warning and apparently without an opportunity to appeal.

Facebook has yet to offer any explanation, but there's been speculation that it had something to do with her being an author who uses FB and Twitter to network with readers and fellow authors -- just as we've all been trained to do, whether we're mainstream, indie or hybrid.

[Update: FB eventually responded that my friend, author Jessica Bell, had identified herself as "Author Jessica Bell" and "author" is not her real name. Here's her new FB author page.]

Facebook played the perfect crack dealer, luring us in with the free sample, and now that we're hooked, they want us to pay. Over the past 18 months or so, they've made dramatic changes to the way posts are seen on your timeline, and if it smacks of self-promotion, they want to force it into an arena where the poster pays for every eyeball. And that's fair. That's their bag. Facebook is not a charity for artists or anyone else. What isn't fair is the jackbooted way they've gone about it, especially if that includes the instant elimination of a network the author built over five years of following the rules.

That network is not all about self-promotion. Writing is, of necessity, a lonely profession. Online networking gives authors more than a place to advertise. It gives us a community, colleagues, a worldwide water cooler we can gather around. Yes, we talk about our work, because our work consumes us a lot of the time. Our work is important to us. Not every word we say about it should be cast as "self-promotion," but authors seem to be subjected to some heightened sense of propriety in this area.

A few years ago, I did a self-actualization/empowerment meditation thing via Oprah.com. I enjoyed getting all thinky thoughtsy and participated in various discussions about it until there was a call for everyone to post something about a moment when she felt empowered and specifically listed "starting your own small business" as an example. Many posts were about women selling arts and crafts, catering, consulting and breaking away from a big company to freelance in one way or another.

So I posted something about stepping outside the mainstream publishing arena, recovering rights to my backlist books and starting my own indie imprint. I did not mention any book titles or offer a link to my website, even though all the freshly empowered cupcake caterers, jewelery distributors, handbag refurbishers, etc offered links to Etsy and other sales venues. Within hours, my account was shut down and I received a brusque email scolding me about "our policy against self-promotion" but not offering any insight into why my small business endeavor was any different from the other artists and entrepreneurs whose posts remained.

When Amazon instituted new censorship algorithms into their review system, they deleted many of the book reviews I'd posted along with many reviews posted on my books. Only positive reviews, of course. Reviews by people who state right up front they haven't read the book and the lady who gave my book one star because her credit card wouldn't go through -- oh, those stay put, because Amazon is all about "preserving the integrity" of their review system.

I know there have been a lot of authors who paid for or bartered reviews on Amazon and abused publishing etiquette in general, but I have never been one of those authors. I came up in old school publishing, which is positively Lutheran in its sense of propriety. I have yet to receive any explanation of this supposedly incestuous relationship I have with the reviewers who gave me positive reviews or the authors I've reviewed positively, most of whom were total strangers to me. Meanwhile, among the reviews I posted that stayed intact are several for authors with whom I do have relationships. But those three authors are published by Amazon's own imprints. The kindest word to describe Amazon's integrity is "selective".

The net result is that my books have very few reviews, and those are mostly from the old hardcover and paperback editions. It's hard to quantify how damaging that's been to my book sales, but I have no doubt it's hurt me financially. It's prevented me from participating in certain promotions, and it's made me afraid to post reviews supporting books I love because I don't want to risk damaging other authors by association.

The time-honored incestuous blurbing and reviewing that goes on every day in the legacy publishing world makes Amazon's integrity algorithm even more infuriating/laughable, but beyond that is the general web-wide lack of concern about people in any other industry talking about their businesses. Disdain for the crass stench of self-promotion seems to be reserved for authors. People who talk about plumbing, law, medicine, basket weaving and teaching are somehow immune.

I talk about the books I'm reading a lot more than I talk about the books I'm writing. I do far more to promote others than I do to promote myself, and I'm sick of being scolded, censored and shamed because I happen to speak about books -- or about my life -- from the perspective of a writer and editor. It reminds me of high school, when I was called "Miss Dictionary" and told I might get asked out on dates if I wasn't always reading.

Yes, my Facebook page has a lot of posts about books. I eat, sleep and breathe the art of setting words in rows. Books are a huge chunk of my life, on and off the social network. That's not me bragging or hyping or advertising. That's me being passionate about what I do and advocating for other passionately creative people.

So Facebook: 1) Thank you for the opportunity to engage online with folks who share common interests, because I go for many days -- most days, in fact -- without talking to anyone but myself, my husband and my office mascots, Venus and Data.

And 2) Pardon the f**k outa me if us and our durn literacy occupy valuable space that could have been devoted to another cat video.

That is all.

That Moment When You Know You're Doing It Right (the greatest bad review I've ever gotten)

Dorothy Parker: "I don't have to attend every argument I'm invited to."

First 50 Words: BLUE MERCY by Orna Ross

Buy BLUE MERCY by Orna Ross

"A complex tale of betrayal, revenge, suspense, murder mystery — and surprise...John McGahern meets Maeve Binchy." ~ IRISH INDEPENDENT