Skip to main content

Character Actor Stephen Tobolowsky on Characterization

Unfortunately for my writing workday, yesterday was errand day. But it wasn't a total washout because it gave me an excuse to listen to veteran character actor Stephen Tobolowski's interview on the wonderful NPR show Fresh Air. Tobolowski was there hawking what sounds like an entertaining new book, The Dangerous Animals Club, which I plan to pick up, since I found this "everyman" actor so engaging. But what impressed me most was this bit about creating "small roles," which struck me as so analogous to the novelist's job in creating minor characters.

From the show's transcript (with thanks to NPR!):

DAVIES (Fresh Air contributor Dave Davies):Is it harder to get a script where you've got a small part and figure out the character? TOBOLOWSKY: Oh, it's one of the real challenges. It's what people don't expect as a difficulty of being a character actor. When you go back to the roles that have two names - Harrison Ford, Johnny Depp, those guys - everything they do is in the script, their entire day. You see them drinking coffee, you see them taking a shower sometimes. Their entire throughline is in the script. If you play their buddy, or worse the plumber of their buddy, you have a day, too, and you have a throughline to your day, too, but you have to do that work outside of the script. If - I know a lot of actors listen to this show, and I want to bring this up. One of the quick ways I use as a character actor to get into any part is I ask two questions: What is my greatest hope? What is my greatest fear? And usually you don't have a lot of time as an actor to study your part, but if you can answer those two questions, they will form a tightrope upon which almost any other question in the script can be answered, and those are the two I go for. Yeah, that is the work of being a character actor, doing that work off-camera.

I've added italics to show the spot that particularly struck me. Have you asked these two important questions of every character in your story? If not, give it a try and bring your manuscript's secondary characters to life!

Comments

Kay Hudson said…
I hate to admit how many books on my TBR shelf are there as the result of an interview on NPR.
You say that like it's a bad thing, Kay! ;)

(I know what you mean!)
Lark Howard said…
Simple questions that get to the heart of the character. Thanks, Colleen!
Isn't it cool how the simplest things can sometime resonate most deeply? Thanks, Lark!
Barbara Sissel said…
This sure does nail it, Colleen, in a way I hadn't thought of it before. So glad you shared. Thanks!
Glad you stopped by, Barbara! I loved it, too, and it's such a simple way to frame a character.
Anonymous said…
Oh, I like the way this is stated. An elegant solution.

Popular posts from this blog

Dr. Janece O. Hudson Gets Into Your Dreams

Boxing the Octopus Contest/Dream Advice Exclusive: Ask Dr. Hudson a question about your dreams in the comments below or simply post a comment to be entered in a drawing to take place on Friday, August 5th at noon CDT to win a copy of Into Your Dreams! Beginning this afternoon (Monday, 8/1) Dr. Hudson will answer your dream questions on a first-come, first-served basis in the comments section. Please include an e-mail address with your comment or check back at the blog on Friday afternoon so we can reach you if your name is drawn. -------------------- Right around the time I sold my first book, I was fortunate enough to meet Jan Hudson, the author of more than thirty romances and romantic comedies. During a shared meal at a writer's conference, I casually mentioned a vivid, terrifying dream that had repeatedly troubled me for months, something about continually being cut off on my commute to work by tornadoes dropping from the sky. That's when I learned of Jan's ...

Quick Tips from a Tightrope

The other day, I posted this sobering message on my Facebook and Twitter feeds: New writers don't want to hear it, but staying published is the hard part. Like trying to walk a tightrope in lard-slathered socks. The publishing biz had just given me another such reminder, with my former publisher (and holder of my entire in-print backlist) deciding to go all digital, at least in the near future and whittling down its editorial staff to nearly nil in response to dwindling sales. But even in the best of economic times, it's a huge challenge to keep one's career alive long enough to build an audience and prosper, especially for the grand majority of authors, who survive on the mid-list. (Big-time bestsellerdom has its own perils, but that's another post.) Yet somehow, I remain if not wildly optimistic, perpetually hopeful. Over the years, I've seen some very talented authors crash and burn with the fortunes of lousy covers, a line's or publisher's demise, or an ...

#TheStruggleIsReal Why I’m Not Mad That You Didn’t Hire Me (Freelance editor Jerusha Rodgers on a millennial dilemma)

Today we hear from Jerusha Rodgers (aka "The Plot Whisperer") of Rabid Badger Editing  in a post prompted by a conversation about agism in publishing, which I see from the perspective of a, um...let's say "experienced" author/book doctor in my 50s and she sees from the perspective of a fresh new face in her mid-20s. Ironically, yes, she had to explain to me about "the struggle is real." Shortly after graduating, a friend of mine posted the greatest Facebook status ever: “I would love to reenact some the of the fantasies in Fifty Shades of Grey, specifically the one where she gets a full-time job straight out of college.” With an economy that clings to safety (read: tradition and money) and a workforce and community that strives for advancement (read: cooler, more accessible stuff), applicants whose limited practical experience is backed up by open minds and inherent expertise in the use of technology often get left out of the running. It’s the st...