Showing posts with label house of leaves. Show all posts
Showing posts with label house of leaves. Show all posts
Wednesday, August 18, 2010
Buy This Book: House of Leaves by Mark Z. Danielewski
My daughter is spending the summer literally lost in Mark Z. Danielewski's masterpiece of "ergodic literature" -- a book structured to create a visual and physical experience that involves the reader beyond the level of story. PW called it an "eccentric and sometimes brilliant debut" weaving two stories and an almost unfathomable catacomb of footnotes, typefaces with flipped, tipped, and tangled text. At first blush, it seems to be a horror story. Blind recluse Zampano dies, leaving a script for a film called The Navidson Report. In the Report, Pulitzer Prize-winning news photographer Will Navidson and his girlfriend move with their two children to a house in Virginia and discover that the interior of the house measures more than its exterior. A closet appears, then a hallway. Explorer Holloway Roberts is called in to mount an expedition with a two-man crew, and they discover a vast stairway and countless hallways leading into a terrifying psychological darkness. Come for the thriller, stay for the elegant prose, and don't feel the need to attempt it in one sitting -- or one summer.
Sunday, December 28, 2008
2008: The Good, the Bad, and the Ugly

It's been a tempestuous year in more ways than one. We were battered by gas prices, election ads, and Hurricane Ike. We said goodbye to Studs Terkel, Sydney Pollack, Arthur C. Clark, Michael Crichton, and Eartha Kitt. (Not to mention these poor turkeys.) The publishing industry experienced some high highs (as a thousand Schnauzer puppies were named Brunonia) and some low lows (as Borders and B&N teeter on the edge of the cosmic bargain bin), and here in Blog Vegas, Colleen and I attempted to make sense of it all. A year-end inventory of the Good, the Bad, and the Ugly always helps put things in perspective. So how was your year? We'd love to hear from you, celebrate your accomplishments, commiserate your losses, and/or share your outrage. Pop us an email or post a comment.
Here's my list:
The Good

It was a great reading year, too. I stepped away from the sort of books I usually consume and worked through about a dozen screenplays. Aaron gave me a list and said, "Read these if you're interested in being lured over to the dark side. I think it's something you'd be good at." Too early to tell if he was right, but reading screenplays is an excellent way to study dialogue. I also delved into the seriously thinky thoughts of Clarence Darrow, Truman Capote, Aristotle, Plato, and some of the philosophical works I way didn't get but read when I was in college so I'd fit in with the hipsters at the Wunder Bar. I read only about a dozen novels this year. Mostly crime suspense thriller lawyer type stuff mixed with complete non sequiturs to cleanse the palate. Two freaky delicious diversions I particularly loved: The Annotated Nose by Marc Estrin and House of Leaves by Mark Z. Danielewski.
The Bad
Last year, I declared my intent to separate my fiction and nonfiction identities and publish novels under a nom de plume from now on. It hadn't occurred to me that launching that fiction persona's career would be every bit as challenging as launching my own career twelve years ago. Progress is slow, but that's okay; my fiction life is a wheatfield, not a factory. The toughest thing about my professional year was making the decision to change agents. Again. This is always a stressful process that sucks a ton of time and energy away from writing, but I ended up with a fantastic agent who will hopefully never never ever retire, catch the flu or get hit by a bicycle messenger.
The Ugly
Being without power for almost three weeks after Hurricane Ike derailed both my WIP and my gym habit. We lost trees, fencing, and shingles (not to mention most of the skin off our knuckles during lumberjacking and clean up) but I did enjoy doing a guerrilla bookmobile for the neighborhood kids, and I was surprised and touched by all the lovely email and comments about that.
All in all, my year was a lot like a spaghetti Western. Hard labor in the hot sun, stunning reversals, agonizingly slow periods interspersed with mood music and dramatic posturing, stunning scenery, and over-the-top characters. In the end, Clint Eastwood speaks the words I'll take with me into 2009: "There's two kinds of people in the world, my friend. Those with loaded guns and those who dig."
I dig.
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