Showing posts with label writing power scenes. Show all posts
Showing posts with label writing power scenes. Show all posts

Friday, February 05, 2010

3 Quick Tips to Pump Up the Punch in Your Scenes

I've spent nearly a week wondering why I couldn't move forward and complete the scene I've been writing. Until suddenly, the proverbial light bulb flashed and I realized the root problem. I'd been wimping out.

Wimping out happens when you shy away from a scene with real emotional impact and rob the story (and by extension, yourself) of an opportunity to connect with the reader at a visceral level.

Here are some warning signs that you may have wimped out when writing a scene and some tips to pump up the punch:

1. You've put the most powerful, memorable lines in the mouths of a secondary or throwaway character rather than allowing your protagonist to star.

Possible solutions: Is there a way to give your protagonist a terrific comeback, wry or insightful observation, or show him/her driving the events/outcome? Readers love an active character with impact in his/her own life rather than a "dust mote" buffeted by every breeze.

2. You've failed to show a crucial turning point by "cleverly" alluding to it in subsequent scenes. Or maybe you have a character remember or flash back to a strong scene, especially one the reader was anticipating.

Possible solutions: Rewrite the power scene in the "real time" of the story to avoid distancing the reader from the action and emotion. (I swear, I have to relearn this particular lesson with each book!)

3. You're stalling on the tough stuff by writing scenes detailing the characters' routine activities.
Zzzz...

Possible solutions: Try a "jump cut," leaping into the next power scene, then very briefly alluding to the critical details that made it happen (a bread crumb trail of necessary backstory.) In other words, as Elmore Leonard advises, "I just leave out the stuff that people don't read anyway." Same goes for boring, routine "how are you/I am fine" type dialogue. Kill it before it breeds a boring, routine and ultimately unreadable manuscript.

Do you ever find yourself using any of these techniques to avoid writing an emotional scene? Do you have any additional solutions to add to my list?