Here you go: The Complete Poems of Emily Dickinson
Tuesday, December 21, 2010
#BuyThisBook: Last minute gift idea for the woman you're kinda sorta dating but not sure where it's going
Here you go: The Complete Poems of Emily Dickinson
Oil and Water . . . a Fundraiser for the Gulf Coast
Members of the Southern Writers group She Writes, Zetta Brown and Nicky Wheeler-Nicholson Brown, gathered submissions and created an anthology of stories, poems, and recollections in response to the BP Oil disaster in the Gulf. Oil and Water...and Other Things That Don’t Mix features 27 authors, women and men all dealing with the theme: “Conflict...Resolution Optional.”
All proceeds from Oil and Water...and Other Things That Don’t Mix will go to directly benefit MOBILE BAYKEEPER, and BAY AREA FOOD BANK, two charities helping to combat the effects of the spill and help the communities affected.
Authors included in the collection are Jenne’ R. Andrews, Shonell Bacon, Lissa Brown, Mollie Cox Bryan, Maureen E. Doallas, Mylène Dressler, Nicole Easterwood, Angela Elson, Melanie Eversley, Kimeko Farrar, L B Gschwandtner, John Klawitter, Mary Larkin, Linda Lou, Kelly Martineau, Patricia Anne McGoldrick, Ginger McKnight-Chavers, Carl Palmer, Karen Pickell, Dania Rajendra, Cherie Reich, Jarvis Slacks, Tynia Thomassie, Amy Wise, Dallas Woodburn, and contributing editors Zetta Brown and Nicky Wheeler-Nicholson Brown.
Retailers who wish to stock the Oil and Water anthology can contact the publisher directly: editor(at)ll-publications.com
Monday, December 20, 2010
Buy This Book! SLOW LOVE, How I Lost My Job, Put On My Pajamas and Found Happiness

In another of Dominique Browning’s memoirs, Paths of Desire, The Passions of A Suburban Gardener, (Scribner, February 1, 2005) I fell in love with her house and especially the garden, the one she has now sold, and in reading Slow Love, I felt the loss of it, too, until the end of Slow Love where she writes so eloquently and with such joy of her new life and home that my own heart soared to imagine her there. I loved this memoir. And her website is worth a visit too: http://www.slowlovelife.com/
2010: The Good, the Bad, and the Ugly (Joni's year in writing, reading, and publishing)
The Good
I've been learning addicted since my dad's stint selling World Book Encyclopedias back in the early '70s. Research is my favorite part of this job, and I did a LOT of it in 2010. I started the year immersed in the strange and fascinating history of breast cancer, segued into the over-the-top drama of pop music, then moved on to the intense dynamics of death row politics, and finished up with a deep-dive into the emotional economics of palliative care. Such is the life of the ghostwriter.
This fall I wrapped up a 17-month writing/rewriting marathon with three book releases - two memoirs and a YA mini-mem - plus a few magazine articles. Between May '09 and August '10, I never took a full day off, and most work days blazed from 6 AM to midnight. I kept bags of peas in the freezer to ice my typing muscles at noon and dinnertime. It was heaven. But I was glad to take a break this month.
Final tallies:
Total words published (not counting this blog): 226K
Bestsellers: 2 NYT, 1 national
Cover credits: 1 (I usually prefer to remain invisible but was incredibly proud to be included on the cover of Promise Me: How a Sister's Love Launched the Global Movement to End Breast Cancer
In the course of doing biz, I hobnobbed with a lot of wonderful publishing folks in the US and abroad as well as some very articulate and cool celebs, ranging from Usher to Dita von Teese to the delightful Dawn Wells, who played Marianne on "Gilligan's Island". I finally found an opportunity to travel to Sicily where I met the quirky and delicious Janet Little, author and illustrator of my daughter's all-time favorite children's book Hecate the Bandicoot.
We had a lot of fantastic authors visit the blog, and I was buried in ARCs from publishers - an embarrassment of riches - too many to read, all of which I tried to at least taste-test, several that I LOVED. More on that this week.
Favorite moments of 2010:
1) Working on "Promise Me" edits in the downstairs apartment at my parents home in Montana with Mom and Dad upstairs singing and jamming on guitar and mandolin.
2) Playing chess in a bar in Montmartre with the Gare Bear, blues music and animated working class French conversation swirling around the room. Happiness Is.
Books I most enjoyed:
So Cold the River
The Woman Who Named God: Abraham's Dilemma and the Birth of Three Faiths
Hull Zero Three
Room: A Novel
The Wilding: A Novel
The Wolf and the Dove
The Singer's Gun
The Prestige
The forthcoming Reading Lips: A Memoir of Kisses
The Bad
While working on a Broadway adaptation of her memoir, My First Five Husbands
My professional low point this year (lest you think, as I once did, that once you get published or once you can plug "bestselling author" in front of your name or once you [insert imaginary milestone here], then you've arrived and everything's smooth sailing from there): a proposal on which I worked long and hard bit the dust. This was a project of the heart. I was paid nothing for the 200+ hours I put into it. I've entertained various theories on why it didn't sell, none of which change the reality that it didn't. A serious punch in the face on several levels. But I knew the risks going in. I learned a lot from the research, and I never consider time spent writing to be time wasted. If nothing else, it makes you a better writer. I still firmly believe that every rejection, no matter how painful, is a stepping stone to where I'm supposed to be. (I don't always like it, but I do believe it.)
It's not circumspect for me to say anything more about that or other challenging issues in this space, so I'll sum up, in the words of Jerry McGuire: "This job is an up-at-dawn, pride-swallowing siege that I will never fully tell you about."
The Ugly
There's a lot of doomsaying about the book biz right now, but there's always a lot of doomsaying about the book biz. I got used to being in the optimistic minority about ten years ago. For my taste, the most disturbing thing about the tectonic shift in the industry (and in our culture) is the oil slick of self-promotion and oversharing that people seem to think is necessary to survive. The stench of neediness is utterly soul-choking at times. I love the potential for networking on Facebook and Twitter, but for the most part, it's a time-hoovering vomitorium of people gossiping about themselves.
In forming my business plan for 2011, I tried to quantify what I was getting out of the various ways I spend my time, and frankly, I got a lot more benefit from 200+ hours working on a doomed proposal than I did wading through online BS and blather. I don't reap any financial benefit from this blog, but I definitely get a lot more joy out of promoting the work of other authors than I would get out of constantly waving my hand in the pick me! pick me! mosh pit and obsessively checking to see if it that tweet about my macaroni and cheese had any effect on my Amazon ranking.
I've heard this little parable in various versions - rabbi, priest, monk, generic seeker - and I think it translates well to the publishing industry:
A monk asked God to show him heaven and hell. First, God showed him hell: a banquet table laden with a great feast. But the people at the table were shrunken and famished, wailing in frustration. They had spoons melded to their fists, and the handles on the spoons were longer than their arms, so they couldn't put the food in their mouths.I look forward to featuring more author interviews and book reviews on BoxOcto in 2011, tweeting accordingly, and staying true to my hippie-dippy ambition to be a purveyor of shalom for my ghost clients and industry colleagues.
Then God showed him heaven: an identical table with an identical banquet and the same spoons with impossibly long handles. But the people assembled were healthy and strong, laughing and feasting, having learned to feed each other.
Happy holidays and a joyful, prosperous New Year to all!
Stellar advice from literary agent Dorian Karchmar of William Morris
Don’t give in to internal and external pressures to try to find an agent before you’ve matured as a writer. The book business is very difficult and not getting any easier; most books that are published don’t sell well, and many careers end practically before they start.Can I get a amen? Read the rest here.
Write a book that only you could write, and rewrite, rewrite, rewrite. Be more patient and more honest with yourself than you ever thought you could be.
Find a couple of writers who you think are better than you are, ingratiate yourself with them, and start reading and workshopping each other. And ask them—beg them—to be merciless. Be humble and quiet while they give you feedback. Be prepared to cut, delete, throw away, put in a drawer.
Only when you’ve got your best possible work—something that can stand up there with the best of whatever genre you’re working in—should you start looking for the right agent to represent you. If you’ve got a terrific book, you should end up with plenty of good agents from which to choose, so don’t jump at the first person who says “yes.”
Put the good of the work before the good of your ego as much as you can.
Sunday, December 19, 2010
Buy This Book: Gotta have a nice old school "'Twas the Night Before Christmas"
Saturday, December 18, 2010
Thursday, December 16, 2010
Buy This Book
"I well remember the 4,000-word day . . . the splendid joy of it--I went and ran, just raced along the country road, for sheer triumph."
This year saw the release of Cynthia Davis' new biography of Charlotte Perkins Gilman, trailblazing woman writer, author of "The Yellow Wallpaper" and all-around brave soul. If you're not familiar with her work and life, snatch this one up (also available on Kindle), or go to your library and grab the older To Herland and Beyond. Spend some time with a woman in full.
Commitment
Each one is important. Each one has its place. Still, unless I make a commitment to my writing, it will be lost in the December hubbub, shunted aside and left for me to rush through later, since I have a revision due in New York early in January.
Right now, however, I have a more immediate commitment to myself, to actually get some words onto the paper. Since I'm so distracted now, however, I'm not the best boss of me, so I've made a commitment forcing more immediate accountability. I cannot face my critique group tomorrow evening without at least six new pages in hand. While my buddies probably won't horsewhip me if I fall down in my effort, they will recognize my explanations as the excuses they are. The threat of letting them down will help keep me from letting myself down with the well-worn rationalization that since I'm too busy to do much, it's okay to do nothing.
This holiday season, what is your commitment to your writing? What is your commitment to yourself? Can you write a sentence, a paragraph, a page? Even the tiniest of steps can break through writing inertia, can start the forward motion that quickly picks up speed.
#BuyThisBook: "Resilience" by Elizabeth Edwards (plus The Rose founder Dorothy Gibbons on the importance of early breast cancer detection)
Elizabeth's death last weekend should also be a jolting reminder to all women of a certain age. She told an interviewer last year that she was too busy to get a mammogram. With the amazing advances in imaging and treatment, breast cancer detected at its earliest stage is 95% curable.
The Rose is a wonderful organization that provides breast cancer screening and treatment to women regardless of their ability to pay. Founder and CEO Dorothy Westin Gibbons talks about the Rose, the realities of the mammogram, and the importance of early detection:
Wednesday, December 15, 2010
Join "Reading Lips" author Claudia Sternbach on her journey to publication
Reading Lips
Claudia Sternbach
The Story of Reading Lips
Chapter 1
Waiting for a book to be published is not, no matter what one may have heard, like waiting to give birth. At least not as far as I am concerned. When I was trying to get pregnant I was fully aware of the fact. Each romp in the bedroom was, I was hoping, going to lead to growing fat and round and swollen and then to the big Ta Da!
When I was writing the personal essays that would eventually become a collection to be released by Unbridled Books in April, 2011, I had no idea I was actually nurturing a seed which would grow and grow and become more than just nattering for my own personal pleasure. Each romp at my computer was simply for fun. Not for procreating. I was not imagining celebrations for a newborn or attempting to come up with a name. And yet, here I am, a book on the way. Unplanned to say the least. But a welcome surprise. And perhaps more fun as I wasn't trying at all. I felt no pressure from anyone. No one even knew I was working on this. No friends or family members called on a weekly basis to ask if anything was new. Unlike when I was trying to get knocked up. I had opened my big mouth and soon everyone wanted to know what was new.
The other evening a couple of writer friends were over and we were well into a bottle of wine, which if I were pregnant with a baby I would not be able to enjoy but when waiting for a book to come out is almost mandatory. One of them asked me about my “process.” How my writing came to feel, in his opinion, so honest and so relaxed even when dipping into the very personal. The secret, I told him, was that when working on this soon-to-be-released book, I never, ever, imagined anyone reading it. I was free to move about the cabin without a care in the world. No seat belts to restrain me. I just sat down at my desk one afternoon and listened to a voice in my head and stepped back into my past and wrote. I wrote about a boy named Teddy and how much I loved him. And in the blink of an eye I was in fifth grade and it was the end of the school year and rumor had it that Teddy was planning on kissing me. And as I sat writing I could remember every moment leading up to that last day of school. I could hear the kids in the yard. I could taste the tuna sandwich my mother had packed me for lunch. I was off and running.
For months and months I would set aside my real work, my newspaper columns and magazine stories and play around in the past. When in New York City, where I am lucky enough to be able to spend months at a time apartment sitting for friends, I would treat myself to time at the computer at any time of the day or night. If words began to buzz in my head at three in the morning I got up and made myself a cup of tea and sat at the desk and played. And as the essays continued to come, not in any particular order, I began to save them so I might print them when I returned home. And eventually I began to share them with my husband, Michael. He was my first listener. And he was encouraging. He made me feel as if they were good enough to at least place them in a drawer where they would not get lost. And there they stayed. For a very, very, long time.
So how did they get from my cluttered drawer to Unbridled Books Spring 2011 Catalog? And were there any bumps in the road? Sink holes narrowly avoided?
I'll have to get back to you on that.
Buy This Book: Don’t Quit Your Day Job: Acclaimed Authors and the Day Jobs They Quit edited by Sonny Brewer

“I just wonder why no one has done this before. The truth is that this book will allow writers to do the one thing we tend to strive for most: build a bridge between ourselves and our readers. It will connect us, fiercely, with the people who love to read, and those who dream about writing as they work at their own jobs…” Rick Bragg, author of All Over but the Shoutin’ and former sledgehammer operator
It is a wonder no one had thought of it before and if weren’t for a flat tire which led to cheeseburgers at the Bulldog in Jackson, Mississippi ….. you’ll have to read the book for the full story ….. Sonny Brewer might have kept on writing a memoir instead of convincing his writer friends (a veritable who’s who Southern literature) to be part of this remarkable anthology. It should be noted that Sonny knew a fair bit about day jobs — before he sold The Poet of Tolstoy Park to Random House, he was an electronics technician in the US Navy, a six-night-a-week singer in a honky tonk band, owned a tire store, helped to found a weekly newspaper, managed a coffee house and owned a bookstore.
Like Sonny, his friends have toiled at a remarkable variety of jobs — many of them dark, dispiriting and dangerous. They’ve worked on the railroad, fought fires, wiped tables, soldiered and carpentered, delivered pizzas, sold underwear and driven garbage trucks. And they all made the transition to what William Gay (Provinces of Night) has dubbed “clocking in at the culture factory.” A sneak peek:
“The best part of working for the P.O. was I could think about my first novel all day long. Sometimes I composed entire scenes between runs of mailboxes. One of my mail routes was about 80 miles long and one day I finished it with absolutely no recollection of delivering my mail because I was so caught up in thinking about an intense chapter of Clay’s Quilt, my first novel. But, as far as I know, none of the mail was delivered incorrectly that day.”
Silas House, author of four novels, two plays and winner of the Appalachian Writer of the Year Award.
“ Those of us who write for a living want the rest of the world to think it’s real, real hard. We invent myths about it, to make it seem like man’s work. I have always loved the stories about fighting writers, carousing writers, whiskey-drinking, bull-fighting, foxhole-diving, swordfish-catching, señorita-romancing, big game-hunting, husband-defying writers, and tell myself that is where I belong, not with the fretting, pencil-neck writers who need to see their therapist twice a week to connect with their inner child. But the toughest writer I ever met, I ever heard of, would have lasted about a week on my Uncle Ed’s crew.”
Rick Bragg, author of Ava’s Man and The Prince of Frogtown.
“I was out of money and wound up taking a job for a dollar an hour putting up shelves at a plant that made canvas tarpaulins. What I learned from that job was that if you are tall, like I am, you will always be told to put up the highest shelf. Top shelf or not, it was a hell of a comedown from being an officer in the United States Army commanding men in combat in Vietnam.”
Winston Groom, author of Forrest Gump
“I am kept by one Wendel R. Owens of Truman, Arkansas, who is also my husband of thirty years, and takes a lot of pride in the fact that his wife is educated and free to pursue a life of arty leisure …. We were introduced over a pew, and when we shook hands, it was a magical moment. I looked at him, he looked at my chest, and it was a done deal. It was Cracker kismet.”
Janis Owens, author of My Brother Michael, Myra Sims, The Schooling of Claybird Catts and The Cracker Kitchen.
And William Gay writes of a horrific job at a boat paddle plant where “you got high on the miasmic fumes rolling from the heated vat. Drunker as the night progressed. Not just gently high but drunk as a lord, drunk as a bicycle, drunk as a fiddler’s bitch, sleeping it off in the gutter drunk.” When he decided to quit, his friend Curtis had asked what he would do. “… I wondered that myself. I would find some way to make a living and I would write at night. I had no words for the way the snow looked drifting down in the streetlights and I wanted those words. If they were anywhere I would find them.”


