Skip to main content

Two Powerhouse Suspense Authors Rip Bestsellers from the Headlines

For the suspense lover in your life, 'tis the season to share a pair of powerhouse novels from some of the biggest names in fiction. Both John Grisham and Michael Connelly deliver bestselling pageturners focused on the topic of exoneration.

John Grisham's The Confession starts with a Lutheran minister whose peaceful routine shatters when a truly-vile ex-con confesses that he is responsible for the abduction/rape/murder of a seventeen-year-old cheerleader nine years earlier - a crime for which an innocent man is about to be put to death in Texas. The breakneck race to stop the execution will keep you reading past your bedtime and the egregious, ripped-from-the-headlines "justice" system foul-ups will and definitely should infuriate you.

There's nothing subtle about Grisham's anti-death penalty novel. Every character, from the racist, good ole boy governor and his cronies right down to the grief-wallowing, vindictive drama queen mother of the victim, working to carry out the outrageous punishment is painted in broad, reprehensible strokes. The people of Texas are portrayed as a bloodthirsty lot, and those fighting to stop the runaway train are either brave and virtuous or at least brave and wonderfully colorful. For all that, the story has an unstoppable momentum that makes it nearly impossible to put down, and I can easily see it coming to the big screen soon.

Michael Connelly's latest, The Reversal, has the former shyster-lawyer-with-a-conscience Mickey Haller crossing the aisle to work as a special prosecutor on a political hot potato of a case - the almost-impossible mission to successfully re-try a supposed murderer whose case was overturned due to DNA. In a case of nepotism-gone-wild, Haller brings in his recently-acquired half-brother LAPD Detective Harry Bosch (and presumably his many, many fans) as an investigator and uses Haller's prosecutor ex-wife, the inimitible "Maggie McFierce" as his second. As with most of Connelly's books, the mystery is first-rate and beautifully constructed, and this novel, far more subtly drawn, lacks the agenda of Grisham's The Confession.

That said, I didn't enjoy The Reversal as much as Connelly's first Mickey Haller story, The Lincoln Laywer, or even its follow-up, The Brass Verdict. What drew me immediately to the Mickey Haller character, who defended tough dudes against long odds while working from the back of his Lincoln Town Car, was his awakening to the ethics of the semi-sleazy tactics that were always landing him in trouble. It simply wasn't as much fun to see him working for the state, the suspense didn't feel as urgent, and I've never completely bought the Haller-Bosch connection. Still, Michael Connelly is one of the greatest crime novelists writing today, and I happily devoured every page and am already looking forward to his next.

If you have a reader who, like me, can't imagine a holiday season passing without a big pageturner of a suspense novel, I recommend giving Grisham's and Connelly's latest a try.


Popular posts from this blog

"The Curious Case of Benjamin Button": Did you love it or hate it?

Earlier this week, Colleen and I went to see "The Curious Case of Benjamin Button", the extraordinary movie based on a short story by F. Scott Fitzgerald. I loved it. Colleen not s'much. (I was sitting there choked in tears at the end of the three hour film, so I only vaguely remember her saying something about "watching paint dry.") I want to see it again, so I'm trying to get the Gare Bear to go with me this weekend, but I won't be surprised if he reacts the same way Colleen did. The movie is long. And odd. It requires patience and a complete suspension of disbelief that modern audiences simply aren't trained for, so you've got to be in the right mood for it. The same is true of the short story, though the story and script have very little in common -- at least superficially. The story is very Fitzgerald (though it's not an example of his best writing, IMHO), and the setting -- Baltimore during the industrial revolution, Spanish Americ

APATHY AND OTHER SMALL VICTORIES by Paul Neilan is only good if you enjoy things like laughter

The only thing Shane cares about is leaving. Usually on a Greyhound bus, right before his life falls apart again. Just like he planned. But this time it's complicated: there's a sadistic corporate climber who thinks she's his girlfriend, a rent-subsidized affair with his landlord's wife, and the bizarrely appealing deaf assistant to Shane's cosmically unstable dentist. When one of the women is murdered, and Shane is the only suspect who doesn't care enough to act like he didn't do it, the question becomes just how he'll clear the good name he never had and doesn't particularly want: his own.

Stellar advice from literary agent Dorian Karchmar of William Morris

Stumbled upon this fantastic interview on the Guide to Literary Agents: Editor's Blog , which includes the following spot-on advice for writers: Don’t give in to internal and external pressures to try to find an agent before you’ve matured as a writer. The book business is very difficult and not getting any easier; most books that are published don’t sell well, and many careers end practically before they start. Write a book that only you could write, and rewrite, rewrite, rewrite. Be more patient and more honest with yourself than you ever thought you could be. Find a couple of writers who you think are better than you are, ingratiate yourself with them, and start reading and workshopping each other. And ask them—beg them—to be merciless. Be humble and quiet while they give you feedback. Be prepared to cut, delete, throw away, put in a drawer. Only when you’ve got your best possible work—something that can stand up there with the best of whatever genre you’re working in—