Skip to main content

Seth Godin on the high cost of butt-covering

Gotta love what goes on in the shiny little head of Seth Godin. Writers are (make no mistake about this) entrepreneurs, and the "fear tax" Godin talks about in his blog today seriously burdens the publishing industry right now. Saith Seth:
A lot of entrepreneurs get an MBA because they are afraid to go out into world without one. They are seeking the reassurance a credential will bring them, even though the cost is huge and there's no data to indicate that they'll be more successful as an entrepreneur as a result.

We pay the fear tax every time we spend time or money seeking reassurance. We pay it twice when the act of seeking that reassurance actually makes us more anxious, not less.

We pay the tax when we cover our butt instead of doing the right thing, and we pay the tax when we take away someone's dignity because we're afraid.
Click here to read the rest and follow Seth Godin's blog in the Authors section of our FeedMe bar.

Comments

This comment has been removed by a blog administrator.
Susan said…
Somebody needs to hold a class for politicians on the "covering your butt instead of doing the right thing" part.

Popular posts from this blog

"The Curious Case of Benjamin Button": Did you love it or hate it?

Earlier this week, Colleen and I went to see "The Curious Case of Benjamin Button", the extraordinary movie based on a short story by F. Scott Fitzgerald. I loved it. Colleen not s'much. (I was sitting there choked in tears at the end of the three hour film, so I only vaguely remember her saying something about "watching paint dry.") I want to see it again, so I'm trying to get the Gare Bear to go with me this weekend, but I won't be surprised if he reacts the same way Colleen did. The movie is long. And odd. It requires patience and a complete suspension of disbelief that modern audiences simply aren't trained for, so you've got to be in the right mood for it. The same is true of the short story, though the story and script have very little in common -- at least superficially. The story is very Fitzgerald (though it's not an example of his best writing, IMHO), and the setting -- Baltimore during the industrial revolution, Spanish Americ

APATHY AND OTHER SMALL VICTORIES by Paul Neilan is only good if you enjoy things like laughter

The only thing Shane cares about is leaving. Usually on a Greyhound bus, right before his life falls apart again. Just like he planned. But this time it's complicated: there's a sadistic corporate climber who thinks she's his girlfriend, a rent-subsidized affair with his landlord's wife, and the bizarrely appealing deaf assistant to Shane's cosmically unstable dentist. When one of the women is murdered, and Shane is the only suspect who doesn't care enough to act like he didn't do it, the question becomes just how he'll clear the good name he never had and doesn't particularly want: his own.

Stellar advice from literary agent Dorian Karchmar of William Morris

Stumbled upon this fantastic interview on the Guide to Literary Agents: Editor's Blog , which includes the following spot-on advice for writers: Don’t give in to internal and external pressures to try to find an agent before you’ve matured as a writer. The book business is very difficult and not getting any easier; most books that are published don’t sell well, and many careers end practically before they start. Write a book that only you could write, and rewrite, rewrite, rewrite. Be more patient and more honest with yourself than you ever thought you could be. Find a couple of writers who you think are better than you are, ingratiate yourself with them, and start reading and workshopping each other. And ask them—beg them—to be merciless. Be humble and quiet while they give you feedback. Be prepared to cut, delete, throw away, put in a drawer. Only when you’ve got your best possible work—something that can stand up there with the best of whatever genre you’re working in—